PlayStation Vita Game Reviews
Frustrating shortcomings in its abundant cutscenes and gameplay make this the weakest entry in the Valkyria series yet.
by Josh Torres on 31 July, 2017
MeiQ: Labyrinth of Death Review
MeiQ is a low quality title whose flaws permeate through every twist and turn of this dungeon crawler.
by Elizabeth Henges on 05 September, 2016
An old school RPG that falls short of its ambitions in both story and gameplay.
by Lucas Rivarola on 16 January, 2019
Nights of Azure 2: Bride of the New Moon Review
Frustratingly repetitive gameplay makes this a disappointing follow-up to last year's action RPG by Gust.
by Josh Torres on 24 October, 2017
Offering little excitement and interest, The Caligula Effect is easily skippable.
by Adam Vitale on 02 May, 2017
This download-only tribute to the 16-bit RPG era is a difficult to recommend grindfest.
by Alex Donaldson on 30 November, 2015
With an uninspired plot and plodding gameplay, you should pay zero mind to this dungeon crawler.
by Elizabeth Henges on 19 June, 2014
Wizardry: Labyrinth of Lost Souls Review
An average dungeon crawler that doesn't stand out.
by Adam Vitale on 15 January, 2020
Nelke & the Legendary Alchemists Review
A spin-off title of the niche Atelier series, Nelke may provide some neat cameos for long-time fans, but otherwise isn't a very interesting game to play.
by Elizabeth Henges on 05 April, 2019
This dungeon crawler takes heavy influence from Shin Megami Tensei but mostly feels like a poor imitation.
by Adam Vitale on 21 June, 2018
Atelier Lydie & Suelle: The Alchemists and the Mysterious Paintings Review
With its bland story and uninteresting characters, this is a series that is in a dire need of a substantive reboot.
by Zack Reese on 13 May, 2018
This dungeon crawler is loaded to the gills with fanservice, but some neat systems can't make up for a forgettable adventure.
by Zack Reese on 11 August, 2017
htoL#NiQ: The Firefly Diary Review
Nippon Ichi ventures too far out of their comfort zone.
by David Kreinberg on 18 May, 2016
With a bland narrative and repetitive gameplay, Lost Dimension doesn't offer much for tactical RPGs
by Adam Vitale on 27 July, 2015
Utawarerumono: Mask of Deception/Mask of Truth (Steam) Review
Utawarerumono finally returns to PC, with ports of the titles previously published by Atlus on PS4 and Vita. How do the ports stack up?
by James Galizio on 22 January, 2020
Utawarerumono: Mask of Deception/Mask of Truth (Steam) Review
Utawarerumono finally returns to PC, with ports of the titles previously published by Atlus on PS4 and Vita. How do the ports stack up?
by James Galizio on 22 January, 2020
Utawarerumono: Mask of Deception/Mask of Truth (Steam) Review
Utawarerumono finally returns to PC, with ports of the titles previously published by Atlus on PS4 and Vita. How do the ports stack up?
by James Galizio on 22 January, 2020
Utawarerumono: Mask of Deception/Mask of Truth (Steam) Review
Utawarerumono finally returns to PC, with ports of the titles previously published by Atlus on PS4 and Vita. How do the ports stack up?
by James Galizio on 22 January, 2020
Code: Realize ~Wintertide Miracles~ Review
While the original Code: Realize and its first fandisc were great, Wintertide Miracles just feels long in the tooth.
by Elizabeth Henges on 15 February, 2019
Persona 3 Dancing & Persona 5 Dancing Review
Atlus have let the Persona 3 and Persona 5 casts onto the dance floor - but how do these rhythm game spin-offs stack up?
by James Galizio on 28 November, 2018
Persona 3 Dancing & Persona 5 Dancing Review
Atlus have let the Persona 3 and Persona 5 casts onto the dance floor - but how do these rhythm game spin-offs stack up?
by James Galizio on 28 November, 2018
Persona 3 Dancing & Persona 5 Dancing Review
Atlus have let the Persona 3 and Persona 5 casts onto the dance floor - but how do these rhythm game spin-offs stack up?
by James Galizio on 28 November, 2018
Persona 3 Dancing & Persona 5 Dancing Review
Atlus have let the Persona 3 and Persona 5 casts onto the dance floor - but how do these rhythm game spin-offs stack up?
by James Galizio on 28 November, 2018