Conversation of a Celebrated Creative: A Roundtable Discussion with Yuji Horii

by Blake Simons on 08 June, 2025

It's not every day that you get to meet an industry legend. Storied JRPG creator Yuji Horii – of Dragon Quest and Chrono Trigger fame – travelled to Italy earlier this month to participate in a panel at Napoli Comicon. As with any hero worth their salt, he first had a look around town and took on a few sidequests. One such venture was a roundtable with a group of ten European journalists, which RPG Site had the pleasure of participating in.

Sauntering into the press room, Horii was relaxed and chipper, seating himself at the head of the long table, pouring a Coca-Cola, and smiling broadly at the figures assembled around him. Flanked by Italian journalists, we were the only English-language presence.

We'd hoped to squeeze secrets out of Horii about the much-anticipated Dragon Quest XII, but alas – no dice. He was, however, forthcoming in discussing the Dragon Quest III and I & II HD-2D Remake project, and over the course of this forty-minute discussion, he shares many charming insights into his creative background – and his hopes for the future of gaming.

Note: if you previously heard mistranslated word of a (nonexistent) Chrono Trigger remake out of Napoli Comicon, please be assured that the transcript that follows has been meticulously retranslated from Horii's spoken Japanese.

What are the main elements that define the Dragon Quest saga for you?

Yuji Horii: When I created the original Dragon Quest, I wanted to create a warm and inviting world. Since it was the very first title in the series, I aimed to make it easy for players to understand how to grow stronger and progress. When we make clear what happens in a game and why it’s happening, it generates excitement. I also believe that turn-based combat helped the series’ success. Players who are not good at action games can beat the game if they try.

In Japan, many children played the original trilogy, and even now, close to forty years later, those memories have stayed with them. That’s why I believe they’ll enjoy the upcoming remake.

You've said that Dragon Quest XII will adopt a darker tone than previous entries in the series. The mainline games to date have always maintained a near perfect balance between light and dark, in true storybook fashion. Were there concerns from yourself or elsewhere in the development team that attempting a darker approach might jeopardise that tonal tightrope walk?

Yuji Horii: The ongoing production of Dragon Quest XII has been going through some difficulties. We are not allowed to provide you with anything except for the released information. All we can say is that we are working really hard, and that we hope you're looking forward to it.

You’re currently developing Dragon Quest XII and also the remake of Dragon Quest I and II. You’re involved in the origins, the present, and the future of the Dragon Quest saga all at the same time. What do you envision for the future of the saga and how it can evolve?

Yuji Horii: I believe that role-playing—experiencing someone else’s life—is one of the best forms of entertainment. Videogames allow you to immerse yourself in characters and make it easier to empathise with them. You can take your mind off real life, immerse yourself in a protagonist, and enjoy what's happening in the game. With developments in technology such as AI and VR, we hope to make the world of Dragon Quest more realistic than ever.

You mention developments in technology. Since The Portopia Serial Murder Case in 1983, we have seen massive advancements in terms of graphics, game systems, and so on.

Yuji Horii: Back then, graphics for computer games were cheap and 8-bit. I think people imagined a more realistic image of the video game while they were playing. Now, those images can be put on screen, thanks to the evolution of the console and 3D Computer Graphics. In the future, those images can come out of the screen. Also, we have AI, which can respond in real time to the player's actions and decisions, rather than just following a pre-programmed script. In this way, we can create a more dynamic and personalised interaction with the game. The game adapts to the player's choices and can offer a more immersive and unique experience.

One of the game systems I remember from the Dragon Quest series is the map-sharing system. Although it wasn't used as widely abroad, I know it was very popular in Japan.

Yuji Horii: You're talking about Dragon Quest IX. In that game, you could share a treasure map you found with other Nintendo DS players. The map gets the name of a player who found that map, and there were many players whose names became popular all over the country for making valuable maps. We made Dragon Quest IX hoping that this would happen. Many players went outside with their DS, embarking on a scavenger hunt for the treasure map. The way that the virtual world extended to the real world was fascinating to see. In the future, I want to create something like that again, changing its shape and evolving it.

You worked as a freelance writer before taking the path of video game development. Was there a spark that pushed you to change direction, or was it a gradual process? How much did your writing career influence your career in games?

Yuji Horii: I originally wanted to be a manga artist, so I joined the manga society at my university. Many seniors from the society went into editing, so I began to work as a writer. But I still had some attachment to manga, so my career leaned towards story-writing. Then I discovered computers, and I became fascinated by how interactive they were—I realised I could tell stories through them. It felt like making manga using a computer.

What kind of manga did you write?

Yuji Horii: All kinds. I wrote stories about time travel, and short comedic skits as well.

Horii shows us a double page spread of his manga on his phone

Nowadays, the line between work and leisure is blurry. Back then, we could only play video games after we came back from work or on Sunday, but you can now play them during your work break. Do you put these things in your mind when you make new video games?

I believe that video games are a form of escape from reality. It’s important to me for players to feel immersed. That’s why I'm making changes so that the games can be played in shorter bursts. Decades ago, you could only save your game at churches in the Dragon Quest games. When we made remakes and new entries for consoles such as Nintendo Switch and smartphone devices, we changed it so that players can save their file anytime and anywhere.

Yuji Horii: This isn’t directly related to video games, but how are you enjoying your time in Naples?

I like it here! It’s such a fun city. I was surprised that there are so many people walking down the narrow streets at once, and that cars are also driving through there. The street is packed with people, and it’s fun to move through the crowds.

Dragon Quest is a series that combines text-based narratives and interactivity. Given that you are one of the pioneers in this genre, what do you think the future holds?

Yuji Horii: I am not sure about the future, but I definitely want to preserve that blend of narrative and interactivity. One recent game that I love is The Legend of Zelda: Tears of the Kingdom. Outside of the narrative, you can creatively build, modify, and combine items and machines. The interactivity was really impressive, and I really got into it.

Nowadays, there are many games that are inspired by the Dragon Quest series. With that in mind, do you intend to make changes to your games, in the battle system for example? There’s a new game that’s popular right now – Clair Obscur: Expedition 33. Have you played it?

I always think about that, and it pushes me to make changes to my games, to render the experience more immersive. I hadn’t heard about that game.

Lastly, I'm curious to know your structural strategy for making an interactive narrative. How do you feel the turn-based battle system gameplay complements the narrative and characterisation, and vice versa?

Yuji Horii: I think both are important elements and complement each other well, for example, the calm you feel when you arrive in a town after winning a battle. Most importantly, I value how players' actions and decisions can affect the development of the story. I really like pranking people, and I’m always thinking about how to surprise players.

One of my first computer programs was a fortune-telling program. It was made with just input and print functions, so it's not really fortune-telling. One day, I invited my friend to my house and let him try that program. I already knew he was coming, so I preloaded his data into it and made it seem like the computer knew everything about him. He was really surprised, and I was thrilled. That feeling of delight excited me, and I’ve been interested in game development ever since.

Translated and edited by Yuki Fujiwara and Blake Simons